特工萨姆和凯特运用侦探技能、科学知识与酷炫装备，穿梭于世界各地，解开动物王国的种种谜团。

新一代冰雪健儿雷雷在男子少年自由滑冰比赛中荣获第三名，按规定应该入选国家集训队。但在全国少年花样滑冰选拔赛中，上调国家集训队的名单里没有他的名字，而他的队友、仅获第八名的赵联却榜上有名，很明显雷雷的名额意外地被人顶替了。 为了实现几代人对我国花样滑冰运动的理想，体育学校从娃娃抓起，除了体育训练以外，还加强心理素质训练，使孩子们在逆境中承受考验。雷雷名额的事件终于得以圆满解决。以雷雷为代表的孩子们接受严格训练，培养顽强拼搏、刻苦学习的向上精神，茁壮成长起来，终于为祖国争得了荣誉。

Vincent, a truck driver, picks up a young pregnant woman. She turns out to have an unstable temper… and an automatic pistol. She orders Vincent to continue driving, without stopping. When he's out of gas, she'll kill him.

A rocker makes a pact to kill himself on his 37th birthday. 12 weeks before the release of his final album and the end of his life, he meets and falls in love with a woman who has a dark secret of her own.

March 27th, 1964. The New York Times published an article headlined '37 Who Saw Murder Didn't Call the Police.' For more than half an hour, 37 law abiding citizens in Queens watched their neighbor, Kitty Genovese, being brutally killed outside their apartment building. Florel and Jack Bernstein were among those bystanders. A shirt film.

In an interview with Hans Scheugl about the ideas and techniques behind some of his films, the film-maker Kurt Kren told the following anecdote, which sheds an interesting light on his work. For his film Tree again (1978), Kren used a highly sensitive infra-red color film, a type which usually has to be developed within a very short period of time. However, Kren who has always worked on a very small budget, only had a roll of film which was already five years past its expiry date and, as Kren says, "there was little likelihood of anything turning out on the film." But he still decided to take shots of a large and splendid tree surrounded by bushes and a stretch of pastureland over a period of several weeks, from summer to autumn - a series of individual pictures taken from the same camera position. As he says, "I didn´t have much hope - (I knew) it was a crazy thing to do." But Kren´s illogical hope and his unshakeable confidence in his material were rewarded. Tree again became one of Kren´s most beautiful works - although it is difficult to single out any individual work from a corpus of extraordinary density and variety which spans over thirty years and includes over 40 films. The tree, the field, the sky, in fact the entire picture radiates an unusual, almost eerie artistry, with its rapidly changing blue, green and reddish hues, sometimes brightly illuminated for the fraction of a second like the flash of lightening in a technicolor horror film. Or a sky of deep blue with clouds scudding across it, an airplane drawing condensation trails which fade away imperceptibly, the abrupt juxtaposition of sun and shadow and the strong, gusty movement of the wind amongst branches and leaves, as though an endless and destructive storm were at work. An apocalyptic picture, yet one that is full of a wonderful, quiet beauty - the changing of the sun, and the play of light, how autumn arrives in a matter of seconds and the leaves begin to fall, the shadows of grazing animals which appear and disappear in the blink of an eye.

In an interview with Hans Scheugl about the ideas and techniques behind some of his films, the film-maker Kurt Kren told the following anecdote, which sheds an interesting light on his work. For his film Tree again (1978), Kren used a highly sensitive infra-red color film, a type which usually has to be developed within a very short period of time. However, Kren who has always worked on a very small budget, only had a roll of film which was already five years past its expiry date and, as Kren says, "there was little likelihood of anything turning out on the film." But he still decided to take shots of a large and splendid tree surrounded by bushes and a stretch of pastureland over a period of several weeks, from summer to autumn - a series of individual pictures taken from the same camera position. As he says, "I didn´t have much hope - (I knew) it was a crazy thing to do." But Kren´s illogical hope and his unshakeable confidence in his material were rewarded. Tree again became one of Kren´s most beautiful works - although it is difficult to single out any individual work from a corpus of extraordinary density and variety which spans over thirty years and includes over 40 films. The tree, the field, the sky, in fact the entire picture radiates an unusual, almost eerie artistry, with its rapidly changing blue, green and reddish hues, sometimes brightly illuminated for the fraction of a second like the flash of lightening in a technicolor horror film. Or a sky of deep blue with clouds scudding across it, an airplane drawing condensation trails which fade away imperceptibly, the abrupt juxtaposition of sun and shadow and the strong, gusty movement of the wind amongst branches and leaves, as though an endless and destructive storm were at work. An apocalyptic picture, yet one that is full of a wonderful, quiet beauty - the changing of the sun, and the play of light, how autumn arrives in a matter of seconds and the leaves begin to fall, the shadows of grazing animals which appear and disappear in the blink of an eye.

本片根据畅销冒险小说家托马斯·布热齐纳同名系列小说改编，主要讲述了三位小侦探屡破奇案的冒险故事。

本片根据畅销冒险小说家托马斯·布热齐纳同名系列小说改编，主要讲述了三位小侦探屡破奇案的冒险故事。

某座远离大都会的宁静小镇，上百年来一直流传着女巫的传说。据说每到春分时刻，女巫便会出来绑架、肢解小孩，并将他们吃掉以葆青春。不久前，一名自称打破了女巫房子玻璃的小女孩神秘失踪，引得小镇人心惶惶。阳光明媚的日子里，爷爷刚刚去世的青年扎克（Justin Deeley 饰）约上卡特（Chase Maser 饰）、特蕾西（Jackelyn Gauci 饰）、茱莉（Jess Adams 饰）等好友，决定去巫女屋游玩探险。扎克内向的弟弟麦克斯（Devon Werkheiser 饰）以及被人称作同性恋的女孩萨曼莎（Diana Hopper 饰）则另行前往。 　　两组人马分别打破了巫女屋的玻璃，胆大妄为、无所忌讳的年轻人，将在这恐怖肃杀之夜付出应有的代价……